Captain Crunch

Submitted by rlp on Thu, 07/10/2008 - 12:19.

Foy was in the supermarket standing in the cereal aisle, trying to decide if he wanted to buy the regular size box of Captain Crunch or the jumbo family size. He heard a woman call out his name and looked up to find Suzanne coming down the aisle toward him pushing a basket that was full of adult-looking groceries - fruits, vegetables, bread, and other things needed for real meals. He quickly dropped the Captain Crunch into his basket, then wished he had put it back on the shelf. He looked at the items in his shopping cart. One box of Captain Crunch, 3 bags of various snack chips, an assortment of frozen meals, some canned soup, and some Vermont white cheddar cheese.

Foy had always been self-conscious about buying food. He did not like to prepare food, so he ate out a lot. His selection had a college-boy-away-from-home feel to it, and it embarrassed him. Suzanne pushed her cart forward, smiling. She kept pushing it closer and closer until it bumped gently against his cart. He felt the small shock of the collision in his arms and shoulders. It had a solid feel that he liked. He opened the conversation with forced energy, hoping to distract her from the food in his cart.

“Suzanne! I’ve never seen you here before. Do you shop here? So how are you? What’s going on? Are you looking forward to the weekend?”

Suzanne appeared a little surprised by his enthusiasm and the stock questions, which didn’t seem natural for him. She didn’t have time to answer except with nods and one-word replies.

She glanced down into his cart and Foy winced. Suzanne smiled.

“Captain Crunch? Really?”

She looked very amused, as if she had noticed he was self-conscious and was going to make him suffer for a few moments.

“What else you got in there?” She peered deliberately into the cart.

Oh God, this is like opening your mouth for a cute dental hygienist and having her say you really have a lot of tartar.

“Doritos. Soup. Soup. More soup. Frozen pizza.”

She shook her head. “Men! I have no idea how guys stay alive, because you eat like…”

“Like pigs?”

She laughed again. She had an amazing smile. It flashed and lit up her whole face and was very natural. Very at ease.

“Well, I wasn’t going to say pigs. I thought it, but I don’t know you well enough to say that. I was going to say ‘like…’”

She paused again, searching for a word.

“Pigs is really the only word that works,” he said. “I saw you coming and was trying to decide if I could slip the Captain Crunch back onto the shelf before you saw it. Then I was looking for something in the cart - you know, something halfway healthy that an adult would eat. I was trying to turn a can of vegetable soup over so the label would show a little color, but the Cheetos got in my way.”

Suzanne burst into laughter, covering her mouth and leaning over her cart. Foy felt a rush of adrenaline and his heart pounded. He had forgotten how wonderful a thing it is to make a woman laugh, to be lost in conversation with her and to see a smile come onto her face. It was almost like male banter, but with a lighter touch. Cautious and polite but pushing the edge just a bit, just enough but not too much.

God, flirting has got to be the most exciting and romantic thing in the world. It’s been too long.

Suzanne looked into his cart. “Is there actually a can of vegetable soup in there? Because all I see is Chicken and Stars.”

Foy winced again, this time an extreme wince. “Uh, actually no. Nothing but…well, Chicken Noodle O’s, but I guess that’s no better huh?”

She chuckled. “No, you definitely need... anything green would help, even a green label.”

Suzanne reached into his cart and picked up the box of Captain Crunch. She looked at the back of it.

“So you really eat this stuff?”

“Yes!” he said deliberately, as if he were put out. “It’s delicious. It’s like dessert for me. You know, instead of chocolate or something. It can’t be any worse for me than that.”

“Oh yes. It can,” she said firmly. “Chocolate has some redeeming qualities, for one thing, especially dark chocolate. While Captain Crunch…” She looked at the back of the box again. “Well, there is this nice maze.” She started using baby talk. “You can help the weedow sailor find his way back home to the Captain.”

Foy threw back his head and laughed loudly, then shook his head, admitting defeat. He tried to grab the box away from Suzanne, but she held it out of his reach. Somehow missing the box made him feel even sillier and more vulnerable.

“Oh my God, this is totally humiliating.”

She smiled. “Don’t feel bad. I eat Fruit Loops.”

“No!” he said with overdone surprise. “Really?”

“Yes, but I would never buy them in the grocery store in front of other women. I buy them late at night from the 7-11.”

Foy laughed. “Well, if you’re going to eat kid’s cereal, you might as well go for the good stuff and eat Captain Crunch. It’s so much better than Fruit Loops.”

“Oh no,” she said dismissively. “Fruit Loops totally rule. It is the greatest cereal ever made. Period.”

“What are you kidding me? Fruit Loops have no flavor. You’re just getting suckered in by the colors. Which is kind of a woman thing, now that I think about it. What’s the deal with that anyway? Women are always talking about presentation. With men, we like browns and yellows and taste. It’s all about taste.”

“Yeah but Captain Crunch tears up the roof of your mouth.” She opened her mouth slightly and wagged her thumb back and forth in front of it. “It hurts too much.”

Foy stared at her. He had always known that about Captain Crunch, but he had never heard anyone else say it.

“Oh my God. You’re funny. You can talk in-depth, with experience and knowledge about Captain Crunch. And you sneak out at night to buy Fruit Loops, which although it’s of lesser quality, I’m still impressed. You might be the perfect woman.”

Suzanne laughed again, obviously pleased. Foy became aware that he had let this go to his head and was flirting a little too much.

Whoa cowboy. Take it easy.

A nice silence settled over them as they basked in the light afterglow of conversation with the opposite sex. There was no way Foy was going to let the silence go too far. After a moment he said, “Well, I guess I’ll check out, take my Captain Crunch home, and rip the hell out of the roof of my mouth. If Professional Wrestling or Nascar is on TV, it could be the perfect evening.”

Suzanne laughed again, and Foy felt helplessly attracted to her. It had been so long since he had talked with a woman like this. Such a long time because the last few years with Jenny were not happy ones. It was all he could do to pull himself away, but he forced himself to go. He waved then steered his cart toward the check-out lines. He wondered if she was watching him, but he dared not look back.

rlp

Read Other Foy Davis Stories

Wow Gordon, how do you find

Wow Gordon,
how do you find a way to make dialogue sound so natural? Isnt that hard to do?

Um, I don't know. You just

Um, I don't know. You just play the scene in your head and take dictation. Write down what they say. It involves a certain amount of turning off your need to control the writing and turning on some other thing, something more like listening. And people don't talk the way we write. Dialogue is very important to me and I work hard at it. So this compliment means a lot. thanks.

You say that you turn off

You say that you turn off your need to control the writing. I find that idea interesting. What then do you do? Do you sort of let your mind wander and when something strikes you that sounds cool you just jot it down? Or do you take lines of dialogue from your own life and incorporate them?

I ask bc i enjoy writing, and I think I am ok at it, I can write an essay with my eyes closed, but I can NEVER get snappy dialogue...

I don't know. I don't know

I don't know. I don't know how to write anything else without sounding like one of those incredibly irritating artist types who drone on and on and on about their creative process and all of that, saying completely unhelpful things like "I just cut away all of the stone that isn't the statue." Yeah right.

Uh...I don't know. I disappear into the story like watching a movie. I hardly know that I'm the one controlling it. I take a step or two forward, writing. When something happens that I like I laugh and even cry a little. I get totally committed to the people. I love Foy so much. And I like Suzanne. And I'm really happy at the thought of the two of them having this moment. So I just write along, sometimes changing my mind and backing up and then starting again. Then it's done. After that, just polishing it is the same as polishing any writing, except of course that I'm using dialogue standards instead of other standards.

It's incredibly flattering for you to ask like this. thanks.

you are welcome. I find it

you are welcome. I find it interesting.

Froot Loops tear up the roof

 
Froot Loops tear up the roof of your mouth too.
 
If you eat five bowls.
 
I'm told.
 
I have no firsthand knowledge.

They also do strange things

They also do strange things to your, uh, fecal matter. If you eat five bowls or so. Rainbow. Very interesting. Fruity Pebbles do the same thing. As kids, my brother and I did lots of home experiments regarding the effect of artificially dyed foods on poo. I could probably qualify as an expert.

Hooray!

A truly happy moment for Foy! I can feel the glow from here.

Also, do you think this

Also, do you think this little potential romance will play out in Foy's life...

That is something I can't

That is something I can't comment on. I have a sense of where this is going, but I can't say because 1. I will likely change as I write, and 2. I don't want to cloud the process with promises I made. Also 3. This might be it. I don't ever make plans with this character. So I don't know what or when or if.

This is why I love the Foy

This is why I love the Foy stories so much. I can tell Gordon doesn't know where they're going any more than the rest of us do. I love improvisational comedy for the same reason.

Glow, indeed. Good writing

Glow, indeed.
Good writing makes you feel that way... lingers.
I type smiling.

Thank you, rlp -- you've made us committed to the characters too...

OMG! the Captain Crunch Conversation!

Looking back quite a few years now -- remembering a first kiss and I couldn't go far because my mouth was torn up by Captain Crunch! I'd had two bowls in lieu of any real food that day and was as sore as anything on that date. I had literal cuts on the roof of my mouth and one bad one on my gums.

We still laugh about that to this day. Captain Crunch hasn't been back in the house since. But even in my middle age I still have a predilection for Lucky Charms! :)

Also -- agree with the above. Sparkling dialogue! I found myself holding my breath during their conversation. I love the Foy stories and none have disappointed. Good work!

dental hygenist

nice story. yep, dialogue is damn hard--good job. love the "cute dental hygenist" line. fantastic comparison!

I for one absolutely love

I for one absolutely love Cocoa Pebbles! While eating your Pebbles the milk turns into this wonderful chocolately flavor. Doesn't tear up your mouth either. Fortunately I have little ones to blame buying it on.
I grew out of the the magically delicious Lucky Charms. Now the Charms just taste like styrofoam sugar.

Reminds me of an old song

I love the way you put this scene together--there's this sense of wistful hopefulness, if that makes any sense.

The mood really reminds me of Dan Fogelberg's "Same Old Lang Syne"...(you know..."met my old lover in the grocery store, the snow was falling Christmas Eve..."). Except of course that whatever is starting to happen between Foy and Suzanne is something brand new, and not a shared memory.

Anyway--good stuff! Thanks as always for your writing.

http://lutheranhusker.blogspot.com

I was really hoping she'd

I was really hoping she'd ask him over for dinner, and maybe cook for him. :)

This piece is fabulous - but

This piece is fabulous - but then, all your Foy stories are. He's so real that I sometimes forget that he's a fictional character.

[I hope you don't mind if I gently point out a couple of typos - tartar (not tarter) and dessert (not desert)]

Thank you. With no editor,

Thank you. With no editor, those are exactly the kinds of mistakes I have a hard time seeing. I once found I had used color instead of collar in an essay and it had been there for 3 years. I really like catching those so I always appreciate a second pair of eyes.

all fixed.

On the subject of

On the subject of edits...I'm thinking the sentence in the 2nd paragraph meant to read "Suzanne pushed her cart forward, smiling" instead of her car.

Of course I could be wrong and may have just mis-read...wouldn't be the first time! =)

Typo or not, though, thanks as always for your writing!

http://lutheranhusker.blogspot.com

Yep. thanks. fixed.

Yep. thanks. fixed.

By the way, I sometimes

By the way, I sometimes forget which other Foy stories the other characters appeared in (e.g., I can't remember where we first met Suzanne). Any chance you could add a 'cast list' on the Foy stories index page??

Might could, if I think of

Might could, if I think of it. For now, Suzanne appears first in Came Grief and Compassion. Then she was also briefly in Cutter toward the end. First spark of interest was in that moment unless you count the tender exchange at the end of Came Grief, which I don't but who can say for sure when something like this starts.

I think Cap'n Crunch tastes like shards of marshmallows

Yep, shards...razory little marshmallow torture devices. Too sweet, too.

I agree with Suzanne about the Fruit Loops, although I by the big bags of generic ones, Fruity Ohs. I don't like the things they do to milk, but I eat them dry like a snack out of baggies that I take to school or from a cup watching movies.

OldPoet

wow this is turning into a romance novel!

great read G
and as Ann said we are now committed to these characters - can't wait to see what might happen next

Like a frog dissected

Once I asked my artist son if he had a mental image of the picture he was painting when he started. As an engineer I would like a yes or no answer. I didn't get it. In fact, in thinking about his vague and rambling answer, I think he must have felt as if his personal (creative) space had been invaded.

In my current incarnation as a lay pastor I can understand his answer better as I contemplate how I write a sermon. All the "training" and books I read on sermon preparation did not help the creative process. The best sermons are the ones that evolve as I write. I usually know where I am going, but the route only becomes clear on the way.

I have never tried to write dialogue, but I can appreciate that it takes a special talent (read - gift).

Alan, I'm a

Alan, I'm a novelist/musician/filmmaker son of an engineer who has no idea what to make of me, so I hear your post very clearly.

I thought you might appreciate this quote from E.L. Doctorow:

"Writing a novel is like driving a car at night. You can see only as far as your headlights, but you can make the whole trip that way."

That's an image with

That's an image with potential for development. Think of the deer that may cross your path, or the pot holes in the road. Perhaps some people drive that road in the daylight.

Jesus loved this kind of analogy. We call them parables, and they provide the fodder for many a sermon.

alan

I think if you drive it in

I think if you drive it in daylight, you end up taking a different route.

Which may or may not be an appropriate image for the distinction (often debated, usually between people who are procrastinating on writing deadlines) between outliners and non-outliners.

Outliners start by making a beginning-to-ending sketch of the entire novel, and then write it. They allow themselves to depart from the plan, but they do have one that holds together more-or-less solidly all the way through.

Non-outliners just start writing, based on some sort of feeling, image, idea, scrap of dialogue, or whatever, and deal with the not-insignificant problems that causes.

I'm essentially a non-outliner, but I leapfrog between writing and plotting; when I hit a wall, I figure out enough to get me writing again. Then I hit another wall, etc. Somewhere around the 70% mark, things start converging toward an ending.

Turning point

I feel like Foy has reached a turning point in this story. After everything he has been through, the sad episodes we've witnessed with their overlaying sense of melancholy, we finally have a story that has this little spark of hope, of possibility, of Foy perhaps unconsciously giving himself permission to be happy again. Yeah! It's like he's taking his first step out of the pit, and into the light. What a relief!

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