Mardi Gras

November 8, 2006 - 2:52pm

The bus made a squealing noise as it pulled into the New Orleans station. Foy’s face was very close to the glass.

Every place has its own look.

San Antonio looked dusty, with muted colors. Like it was the first hint of the West. New Orleans looked dark and rich to him, with deep colors and humid air. It was green and wet, and there were black people everywhere.

This is the beginning of the deep South. Everything east of here is like this.

Getting off the bus was a moment Foy had fantasized about for many years. Absolute freedom. No ties, no responsibilities, no one waiting for him, no one watching him to see how a minister would behave, no one to take care of, no schedule or agenda. He stood on the sidewalk outside the bus station. People were moving past him hurriedly. They had places to go and things to do. Foy’s destiny and direction were his own to choose. It was like a movie.

So how does it feel?

He stopped and his mouth opened a little. He lowered his chin and let it drift to the right and tried to pay attention to what was going on inside him. What he felt was a tinge of anxiety. Also a nagging and familiar need to know what he was going to do. He felt a strong, inner longing for a schedule and a purpose. This feeling disgusted him, but he tried to be gentle with himself.

It takes awhile to get used to this. It’s like going on vacation, but even harder. Just settle down; you'll be fine.

A college friend with some connections had gotten him a room above some retail space in the French Quarter. He had the address in his pocket but was self-conscious about hailing a cab since he had never done that before. Plus he wanted to see and feel everything. That was part of the deal. Someone pointed down a street and said he could get to the French Quarter on foot. He slung his duffel bag over one shoulder and his backpack over the other and started walking.

A few streets down, a man was sitting on piece of carpet, twisting and bending his body into extreme positions. There was a hat on the ground with some change in it. Most people were walking by without even glancing at him. Foy was fascinated and watched him for a few minutes.

So you get up in the morning and walk out of your house carrying your carpet for a day of yoga or whatever and people give you money.

There wasn’t much money in the hat. Foy dropped in some change and nodded at the man to show him that his odd skills were appreciated. The man saw his nod but gave no response, which amused Foy.

Nearby some young boys were breakdancing on flattened, cardboard boxes. They also had a hat on the ground. A large pile of discarded batteries behind their boom box indicated they had been at it for some time.  It didn’t seem that the money in the hat would be able to keep up with the expense of the batteries, which bothered Foy. He looked around for an electric outlet and spotted one on the external wall of a nearby shop. He had a brief fantasy of bringing them an extension cord and being something of a hero, but he played out the fantasy and it ended with the shopkeeper jerking the cord out of the wall and using it to drive the boys away from the front of his store. He decided they probably knew what they were doing and moved away.

In the French Quarter he was charmed to find that the streets were lined with two-story buildings that had wrought-iron balcony railings, just like in the photographs. He found his room and spent the afternoon doing things that people like to do in New Orleans. He had mile-high pie at The Pontchartrain and listened to jazz in a little club while drinking coffee with chicory in it. He went into a cigar store and asked for a really good cigar. He didn’t know how to answer the shopkeeper’s questions, so he just bought one that the man said was good. It was eleven dollars.

He found a café that looked right and sat outside smoking his cigar, drinking beer, and watching people walk down the street. It seemed strange to him, for some reason, that everyone had somewhere to go. The crowd flowed by the café like a river. People were in groups, laughing, drinking, and purposeful. For the first time he felt relaxed and at ease. He was not a part of the scene. He was only watching.

So this is what you do. You go into the streets with your friends and walk up and down. You drink and talk and maybe you’ll see something interesting. You do this a lot and eventually you’re there when something interesting happens and you can tell the story at work or whatever. You have to be in this. This has to be your life. Natural. Just what you do.

The cigar started making him feel sick, so he stubbed it out and left it on the table with some money. He got his beer and moved out into the street to walk with everyone else. He paused at a strip club and peeked inside. The music was tacky and the woman on the stage looked tired. He grimaced and pulled his head out of the door quickly.

There was a throng of people moving down the street and he allowed himself to get caught up in it. A woman was throwing beads from a balcony and he caught some. The young men around him started yelling, “Show us your tits!” They said it over and over, and the woman looked like she was considering the proposition. He felt giddy for a moment and looked around.

I can do this if I want.

He joined the crowd and shouted, “Show us your tits!” but he was immediately uncomfortable and self-conscious. He only said it once. The woman quickly lifted her shirt, and Foy yelled along with everyone else and lifted his beer. He hated the feel of it even before he lowered his arm. It was like being impotent. This is the stuff that should work but it didn't. Nothing felt right. He was on the outside, looking in.

Shit, I don’t even remember how to have fun. Maybe religion sucked the life right out of me, just the ability to hang out with some friends, get a little drunk, and enjoy whatever it is that they are enjoying. God, am I that lost?

Foy stopped in the middle of the street and became like an island with people flowing around him. He began to push through the crowd, heading for the curb. As he moved he began to feel frantic. He had to get out of the street and over to the sidewalk where he could get his back against a building and watch things again. He wanted to feel the way he felt in the café earlier.

When he got to the edge of the street, something against the curb got his attention. It was a battered Bible with no cover lying in a pile of leaves. It was open but in disarray, as if someone had dropped it. The left side was rolled under and had a wet shoestring draped across it. A cigarette butt was wedged into the valley between the pages. A muddy imprint from a tennis shoe obscured the page on the right.

It was such an ugly thing, like a corpse, and he could not control his reaction. He groaned and bent over it like it was a wounded puppy. He lifted a few of the pages and flopped them back and forth.

It was a generic King James, the kind that are printed by the millions and spread all over the world like cheap toys and good-luck charms. The kind you find in motels, homeless shelters, and used book stores. The kind of Bible that people who never read the Bible own. If someone asks them if they have a Bible, they will think for a moment and say, “Yeah, I might have one somewhere.”

Foy stood up and looked down at the Bible, wiping his hands on his jeans. He felt a little resentful of its sudden appearance that evening.

This doesn’t mean shit. Those cheap Bibles are everywhere.

He stood on the curb and looked back into the street. It was getting late and the crowd had grown. There were so many people now that the street was almost full. The movement of the crowd was more sluggish. It stopped and started and surged here and there. Suddenly there was a commotion across the street and about half a block down. There were angry voices and a burst of wild laughter. The movement in the street slowed and then stopped as people tried to see what was happening. By some miracle, the crowd parted unevenly and he could see all the way to the curb on the other side.

Perfectly framed in the division of the crowd was a small, preteen girl sitting on the curb. She was wearing jeans and a worn, faded t-shirt. Her tennis shoes were filthy and had no laces. In her hands was a flat box hanging from a rope tied around her neck, like the cigarette-girl boxes from the old movies. Foy had never seen one of these boxes in real life and he froze, staring at it. In the box were a few bags of potato chips and several varieties of candy. Her right heel was up off the ground and she was fidgeting, bumping it repeatedly against her left ankle. Her shoulders were curved and slumped and she had a vacant expression that looked as though it had settled into her face for good.

Foy felt a surge of emotion as he realized that this poor child was selling things in the middle of the French Quarter, all alone, late at night. He stepped off the curb into the street just as the crowd began to move again. The people flooded together, blocking his view of the girl. He fought his way through the crowd but was dragged along, so that when he got across the street he was about ten yards down from her. He turned his shoulders to the side and walked hurriedly through the crowd, digging a hand into his jeans pocket.

I’ll buy everything she has in that box and just give her whatever cash I’ve got left. Maybe I should find out where she lives and take her home. She shouldn’t be out here this late, working, selling stuff, whatever. That’s gotta be against the law or something.

When he got to the place where he had seen the girl, she was gone. He looked around quickly, then sprang up on the base of a lamppost, like that guy in Singing in the Rain. He could see nothing but a river of bobbing heads. Across the street another young woman on a balcony pulled up her shirt. The crowd hooted and surged in that direction. Foy looked up at her. Her breasts were bouncing freely and she had a huge smile on her face. She looked so happy, like she was having the time of her life. Below her there was a chorus of cheers and dozens of hands raised beer bottles in a raucous toast.

Foy held onto the post with his right hand and swung around it, looking everywhere for the girl, but she was gone. Then for some reason he didn’t like the idea of getting down, so he stayed on the lamppost, looking around in amazement.

I know nothing of this world. Nothing.

And then everything began to close in on him. The movement of the people below was repulsive, and he didn’t want anyone to touch him. The sounds from the balcony were screeching and sharp, clawing at his mind. There was too much of everything, and he began to panic. He wanted to feel his back pressed against something large and solid. He wanted a safe place – his home or a room, just a small place with maybe one friend there to laugh with him. He wanted something familiar.

I don’t want to be here. I don’t like it here. I’m leaving and going to a place where I want to be.

He climbed down and started walking, and then the truth hit him. He had nowhere to go. He had no home and no family and no job. There was no one in the world for him. Not one person to know him and to know what he was feeling right now. He would not sit down with a friend tomorrow and say, “You can’t believe what it was like out there on the street last night. There was this Bible and a little girl I saw.” No one would hear this story.

Foy pressed his back against the front of a store. He was breathing hard, as if he had been running. A thought came to him that was cruel and mocking.

This is what it means to be lonely. And you are going to know what loneliness means.

rlp

 

 

 

Note: This story is the third in a threesome of Foy Davis stories. The first is "Extreme Unction," and the second is "De Nada."

Submitted by Simian Farmer on November 8, 2006 - 3:20pm.

There are times for me, like now, I'd like to get lost like that and feel no pressure of a schedule or obligation. I'm looking very much forward to the next part.

Submitted by Anonymous User on November 8, 2006 - 5:22pm.

This is the greatest Foy yet!

It really struck a chord with me! My wife wonders sometimes what we would do if we could escape from the pressure of the ministry...

Would we still remember how to let our guard down and just be 'us'?

Bless you,

Submitted by Anonymous User on November 8, 2006 - 5:39pm.

I love Foy! He gets it. Thanks, Preach.

Submitted by Anonymous User on November 8, 2006 - 6:14pm.

What? No F* Bomb? Color me disappointed.

Michael

Submitted by Anonymous User on November 8, 2006 - 6:50pm.

I like all your writings, Preacher, but the Foy Davis stories....well, they're special. Each of them have something that echoes a thought or feeling I've had. This one is no different. Thanks for writing them and thanks for sharing them.

Submitted by Keith on November 9, 2006 - 8:52am.

This really brings back the Quarter for me. My first film festival was in New Orleans, though not during Mardi Gras, and I remember the walking around, the public drinking, Bryan Lee and the Jump Street Five at the Absinthe Bar, walking to the Cafe du Monde every morning, and that moment of sticking your head into the door of a strip joint and not going in--whether that was chickening out, or morality, or self-image fulfillment, or whatever.

I also can't look at this title without thinking Foie Gras.

Submitted by jeffthefish on November 9, 2006 - 9:23am.

I love stories about the French Quarter. I used to work there. I don't miss that job, but I do miss the atmosphere. Ah, life.
---
Clicking here will change your life forever.
Not really.

Submitted by An Observer on November 9, 2006 - 11:11am.

Anonymity. What a curious word.

I've carried on a love affair with New Orleans for too many years now, enjoyed "Mile High Ice Cream Pie" at The Ponchartrain and spent untold hours watching its residents and tourists from places of anonymity.

Having not considered it 'till yet, seems a lot of the affection I have for The City comes from my ability to enjoy everything it has to offer. Yet remaining anonymous, not investing or paying my dues. Unwilling to make myself vulnerable at the risk of being found less than my own self image.

Preacher: Foy's creator strikes me as someone who has spent enough time in NOLA to have a good working knowledge of The City. Did it come through investment or was it only enjoying that anonymity? And I'm also struck by the correlation with regard to faith. I see a sermon here and wonder if that's what you are preaching?

Submitted by rlp on November 9, 2006 - 11:29am.

I've only been to New Orleans once, back in the 80s during the World's Fair. BUT I have a curious memory. I remember things that most people don't and I forget things that most people don't. That's a blessing and a curse!

It's the feel of things that I remember. That and the contortionist and young men break dancing. Those were real. The love of sitting back and watching is something you have or don't. I do, as do you.

I did take the time online to make sure that the bus station is actually within walking distance of the French Quarter, as is The Ponchartrain. Distance is one of the things I do not remembeer.

Sermon? No. This is pure writing and has nothing to do with anything I do at Covenant. Well, except that everything we do has something to do with faith and church, but you know what I mean.

Submitted by Anonymous User on November 9, 2006 - 6:33pm.

Once I was travelling from Memphis to New Orleans on the "City of New Orleans" (yes, there was a train by that name). I was supposed to get on another train to go to Mobile, Alabama. That train couldn't leave because there had been a bridge accident between the two cities that wouldn't be fixed for days. I had to take a bus from New Orleans to Mobile. The bus station and the train station are the same building. That station is very clear in my mind today. It was a Captial E Experience. Long story best told over many beers or Ice Cream Pie.

Old Poet

Submitted by Anonymous User on November 10, 2006 - 12:10am.

Hey Preacher - isn't it spelled Mardi Gras?

Submitted by rlp on November 10, 2006 - 6:32am.

Yep I guess I was so determined not to forget the s at the end of gras that I stuck one on mardi for good measure.

Ah, if only I had an editor!